Tuesday, April 26, 2016
Lian Hearn returns to a world of medieval Japan with a new series, The Tale of Shikanoko, set in the world of her earlier Otori series. Emperor of the Eight Islands introduces this new series, as it explores the great warrior tales of ancient Japan.
I have not read any of Lian Hearn’s previous books, though the Otori series has been on my shelf for years waiting for me to come around. During my recent trip to Japan, I spent some time in Northern Honshu in the region of the Great Tohoku earthquake and tsunami, which is the same region in Japan where Hearn drew inspiration for this series in the immediate aftermath of the tsunami. This in combination with my having wanted to read Hearn’s books for years, made it an easy choice for me to begin with this book.
The Tale of Shikanoko is told in what feels like a very Japanese writing style – elegant, poetic, and minimalist. Which is to say, a style that I am not very used to. At first it felt very wooden, more like a ledger account than a story, lacking emotion and intimacy. However, as I grew used to the style I realized that this wasn’t the case. The minimalism of the story doesn’t lack the intimacy that I was looking for – it was just more subtle and shown a bit differently. By the end of book I had not only learned to appreciate the style of the story, but I can see how the approach makes emotional punches that much more effective.
This is a story of an older time – a feudal Japanese world, a time of divine emperors, magic and mysticism where the spirits of the land and those of people are much closer. A time when the world was a smaller place, and humans were a smaller presence. It is a time before (perhaps just before?) the arrival of temples of Buddhism and where the politics and rivals of the elite dominate everything.
In this, The Tale of Shikanoko is not just a great example of Asian-inspired medieval fantasy, but it’s a bridge for those deeply attached to fantasy inspired by medieval Britain and surrounding environs. The parallels are rather striking – a deep mystical tradition of living close the spirits of the land that is threatened by the arrival of a religion from abroad, and a feudal society dominated by the elite where rivals backed by traditions from abroad are at war. At the heart of this tale is a young man connected to the spirit of a great stag. It’s still early in the series to know just where it will end, but I think it’s not a stretch to believe that this young man is bound for some form of greatness, and quite likely, a tragic end. Before reading this book, I had never realized how the Arthurian traditions of Britain so closely parallel the warrior tales of Japan. This of course will lead to the inevitable decrees that The Tale of Shikanoko is the Japanese King Arthur, which is a disservice to both in spite of the very real parallels.
But it really misses the point for me to frame this story in terms of similarities to ‘Western’ traditions and that is not my intent. Merely an observation that I came to time and again while reading.
These are human tales – universal tales of power and love, betrayal and victory, loss and change. It’s a coming of age story, I believe it will become a story of revenge. A story of love, hate, betrayal, and everything in between.
Emperor of the Eight Islands is the first book in this series of four, all of which will be published in 2016. It is the opening, the origin story, the telling of how the stones are placed before the real game begins. It is the first quarter of a whole rather than an independent work, and as appropriate for the minimalist prose, it weighs in at only 270 pages. In many ways I’ve reviewed this book as if I know what’s ahead, which is untrue. I have not read the others in this series, though I now look forward to doing so. It is a universal tale, one that we’ve heard before, though the details are different. Of course most universal tales are tales of change, so what changes are in store?
As I said above, I look forward to finding out.
Tales of Shikanoko
Emperor of the Eight Islands: Amazon
Autumn Princess Dragon Child: Amazon
Lord of the Darkwood: Amazon
The Tengu’s Game of Go: Amazon
Monday, April 25, 2016
It’s a word that I initially wanted to avoid at all costs for this review as I suspect that it’s probably used in just about every review of Swords and Scoundrels by Julia Knight. But, the more I thought about it, I came to conclude that it’s a word that should be fully embraced.
Swashbuckling – it just roles off the tongue. It’s fun to say. It’s one of those words.
So…let’s take a look at what it really means to swashbuckle and be a swashbuckler.
Swashbuckler: a swaggering swordsman (swordswoman), soldier, or adventurer; daredevil
Well, yes, this covers the 2 main characters (a sister and brother duo) in Swords and Scoundrels. It covers it really well, each having different aspects of a swashbuckler. But, it’s really this definition below that I think captures the book.
[to] Swashbuckle: engage in daring and romantic adventures with ostentatious bravado or flamboyance.
That definition above is Swords and Scoundrels in a nutshell, though with some very important caveats. As I said, the book is about a sister/brother duo, each embodying different swashbuckling aspects in different ways – one traditionally flamboyant and one a fair bit darker, though no less a swashbuckler for that darkness. It’s the duality in many ways that has brings more to Swords and Scoundrels than the traditional swashbuckling adventure, offering swashbuckling commentary and even subversion of swashbuckling. Throw in a fantasy setting, large-scale clockworks, a magician or two, and nice bit of populism to add depth, and Swords and Scoundrels is the perfect swashbuckling tale. And as the book is the first in the Duelist Trilogy, there are 2 more presumably equally swashbuckling adventures to follow – excellent!
The Duelist Trilogy
Swords and Scoundrels: Amazon
Legends and Liars: Amazon
Warlords and Wastrels: Amazon
Note, this review joyfully uses a variation of swashbuckle 15 times!
Wednesday, April 20, 2016
Updraft by Fran Wilde was released with a fair bit of critical fan-fair in 2015 and I read it a few months post-release based largely on that the good word of many of those I follow in the blogging world. My thoughts on the book are somewhat mixed, though I believe that to be largely a result of relatively high expectations I had from reading other reactions.
In short, I liked the book, I really enjoyed the turns the plot takes, a few of the surprises that are thrown about, and the more political machinations. Where I struggled a bit is with the whole flying thing and the general weirdness of the world.
It’s not that I don’t like a good, weird world of fantasy, it’s just that I was never completely sold on it. I’ve seen the comparisons to this book and worlds created by the likes of China Miéville and I just can’t take things that far. Yes, Miéville creates some very weird worlds, but those creations aren’t questioned in my reading of them, just marveled at. And the very weirdness of those creations usually serves an important point in the thematic goals of the writing. It’s not Wilde doesn’t do these things with her world, it’s just that it didn’t completely work for me. I understand that keeping the origins of these mysteries is key, and I also get that this is fantasy, so fantastic and unexplainable things are around. But it still didn’t gel the way I would have like to see.
However, I don’t want to dwell on these, as they didn’t really bother me all that much. I did like the book. I am looking forward to reading the sequel. And I’m happy to recommend the book to readers at the blog here. Updraft is a coming-of-age story, it is the story of a child seeking information about a parent, there are secrets, and what I enjoyed most is that it’s a story about a moment of upheaval in a society that can and will likely end in a very different place. Plus, living bone towers and people flying around way above a distant, fog-covered ground – it might not have completely worked for me, but is still sounds pretty awesome.
Updraft is the first novel in a planned trilogy in the Bone Universe. The second novel, Cloudbound is forthcoming in September, 2016.